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Saura belongs to the generation that grew up under Franco, and the theme of the Spanish Civil War plays a major part in his work. While his early films use allegory as a means of masking political.Saura's images on the whole are not surreal but grow organically out of the characters and landscape; this is no journey into the dreamworld of the subconscious but a finely worked psychological.La caza (1965) In a documentary-like style, Saura explores the body’s degradation and the aggressive nature of the human being.
Carlos Saura Tangos with Cinema. metaphorical exploration of violence in the Franco-era film “La Caza (The Hunt)” (1965) or a more free-spirited tragicomedy like.The paper analyses the metaphorical visual and philosophical depiction of Spanish Civil war and its aftermath in Carlos Saura's La Caza. Recommended Citation Urda, J. War Memories, Violence and Social Pathology in Saura’s La Caza.
With THE GARDEN OF DELIGHTS, Saura’s anti-Fascism was gloriously outed. Now, his symbolism became more brazen, his settings less allegorical, his antagonistic characters more recognizable as Fascist surrogates. The film features an oddball collection of greedy relatives sniffing after a dying millionaire’s secret fortune.
